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Cambodia's first alternative music label Yab Moung Records was founded in 2012 and has since recorded and released the first Khmer Hardcore and Death Metal tracks as well as producing a wide range of alternative artists creating unique Khmer blues, rock, hip hop and alternative music.
Cambodian musical instruments in the mid 19th century. Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities.
Cambodian rock of the 1960s and 1970s was a thriving and prolific music scene based in Phnom Penh, Cambodia, in which musicians created a unique sound by combining traditional Cambodian music forms with rock and pop influences from records imported into the country from Latin America, Europe, and the United States.
Mohaori is traditionally a popular Cambodian music played in Khmer society since the late 9th century. Mohaori is still a popular Khmer traditional music played in various occasions and festivities. [2] It is regarded as a popular music for the Cambodian locals to accompanied their custom and traditional celebrations.
This is a list of singers from the Kingdom of Cambodia This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The pin (Khmer: ពិណ, pĭn) is a Cambodian arched harp, one of the most historically important instruments in Cambodian music.The instrument went extinct c. 16th century, and is now being restored in modern times. [1]
Media in category "Music of Cambodia" The following 4 files are in this category, out of 4 total. Cambodian Rocks 02 - Ros Sereysothea - Chnam oun Dop-Pram Muy (sample).ogg 23 s; 207 KB
Ayai (Khmer: អាយ៉ៃខ្មែរ) is one of the four main musical styles of Khmer traditional culture, [1] along with pinpeat, mahori, and phleng khmer. [2] It can be more specifically defined as "repartee singing, usually the theatrical alternation of a man and a woman, accompanied by an ensemble of the same name."