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"Hard Tack, Come Again No More" is an American Civil War-era parody of the song "Hard Times, Come Again No More." First called "Hard Crackers, Come Again No More!" , it is a sarcastic complaint about the quality of some of the provisions provided by military contractors, specifically hardtack . [ 2 ]
Hardtack (or hard tack) is a type of dense cracker made from flour, water, and sometimes salt. Hardtack is inexpensive and long-lasting. Hardtack is inexpensive and long-lasting. It is used for sustenance in the absence of perishable foods, commonly during long sea voyages, land migrations, and military campaigns. [ 1 ]
As other games of old, And in one grand united toast Join player, game and song And fondly pledge your pride and toast Success to the City club. Kick off, throw in, have a little scrimmage, Keep it low, a splendid rush, bravo, win or die; On the ball, City! Never mind the danger, Steady on, now’s your chance, Hurrah! We’ve scored a goal.
Bill Frisell recorded the song for his 2019 album Harmony. The song is performed by Petra Haden. Arlo Guthrie, Vanessa Bryan and Jim Wilson release a track of the song on July 31, 2020 (C) 2020 Rising Son Records & Jim Wilson [14] The Longest Johns released a recording of the song in 2021 as the first single of their 2022 album Smoke & Oakum.
Music hall songs were sung in the music halls by a variety of artistes. Most of them were comic in nature. There are a very large number of music hall songs, and most of them have been forgotten. In London, between 1900 and 1910, a single publishing company, Francis, Day and Hunter, published between forty and fifty songs a month.
The Seikilos epitaph is an Ancient Greek inscription that preserves the oldest surviving complete musical composition, including musical notation. [1] Commonly dated between the 1st and 2nd century AD, the inscription was found engraved on a pillar from the ancient Greek town of Tralles (modern Aydın in present-day Turkey) in 1883.
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"Memories" is a popular song with music by Egbert Van Alstyne and lyrics by Gus Kahn, published in 1915. The song has become a pop standard, recorded by many people over the years. Early successes [ 1 ] were by Henry Burr who recorded the song in December 1915 [ 2 ] using the name of Harry McClaskey, and by John Barnes Wells who recorded it for ...