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Rainey Qualley was born in 1989 [a] in New York City and grew up in North Carolina. [4] She is the daughter of actress and model Andie MacDowell, and Paul Qualley, who is a musician, contractor, rancher, and former model. She has two siblings: an older brother, Justin and a younger sister, actress and model Margaret Qualley. [5]
Knitting Rules!: The Yarn Harlot's Bag of Knitting Tricks, 2006, ISBN 1580178340; Stephanie Pearl-McPhee Casts Off: The Yarn Harlot's Guide to the Land of Knitting, 2007, ISBN 9781580176583; Things I Learned from Knitting (Whether I Wanted To or Not), 2008, ISBN 9781603420624; Free-Range Knitter: The Yarn Harlot Writes Again, 2008, ISBN 0740769472
The Revolutionary Knitting Circle (RKC) is an international activist group that engages in craftivism, focusing on knitting and textile handicrafts to promote social change. Established in Calgary , Alberta , Canada , by Grant Neufeld in 2000. [ 1 ]
Guinness is the great-granddaughter of Diana Mitford (later Lady Mosley), who was one of the Mitford sisters, and her first husband Bryan Guinness, later the 2nd Lord Moyne. Her paternal grandfather, Desmond Guinness , was a conservationist specialising in Georgian and classical architecture, while her paternal grandmother, Mariga Guinness ...
I Knit London (often shortened to I Knit or IKL) is a knitting organisation based in London, England, UK, comprising a knitting group, knitting shop and knitting events. I Knit London was formed in December 2005, and is run, by Gerard Allt (b. Liverpool, UK, 9 July 1973) and Craig Carruthers (b. Carlisle, UK, 21 March 1973).
Michael Rainey Jr., who stars in “Power Book II: Ghost,” attends the Season 2 premiere on Nov. 17, 2021, in New York. (Photo by Jamie McCarthy/Getty Images for Starz)
By 1992 Rainey had completed work on a rock musical play called Hunchback (based on Victor Hugo's 1831 novel, The Hunchback of Notre-Dame). The play was produced in 1994 at the Playhouse Theater in Seattle, with Rainey as producer, director and lead actor. A larger production was staged for five weeks in 1998 at Seattle's King Cat Theater.
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