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The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and
Samuel Potter's book, The Art of Beating the Drum from 1817 recommends that rudiments be played "until perfectly close," but there is no mention of opening them back up again. [6] It wasn't until 1862 that George Barrett Bruce recommended playing rudiments in the open, closed, open method. [ 7 ]
Snare technique is the technique used to play a snare drum. It is studied as an end to itself by snare drummers, and as a way of developing stick control skill by kit drummers and players of other auxiliary percussion instruments. Snare drum is the first instrument that most percussionists learn to play.
The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
The origin of snare drum rudiments can be traced back to Swiss mercenaries armed with long polearms. The use of pikes in close formation required a great deal of coordination. The sound of the tabor was used to set the tempo and communicate commands with distinct drumming patterns. These drumming patterns became the basis of the snare drum ...
Relate only to other members of the set, or to related unpitched instruments (for example the bass drum to the tom-toms in a drum kit), rather than to the pitched instruments in the ensemble. Bear no harmonic relationship one to the other. If either of these two conditions is not met, then the instrument could be considered pitched.