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In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
The symbol is a visual depiction of the intertwined duality of all things in nature, a common theme in Taoism. It is believed to be derived from the 11 th century Tiandi Zhiran Hetu (Heaven and Earth’s Natural Diagram of the River), Hetu (Diagram of River), Luoshu (Chart of Luo), Xiantian tu (Diagram of Preceding Heaven) and Taijitu ...
The symbol is a visual depiction of the intertwined duality of all things in nature, a common theme in w:Taoism. It is believed to be derived from the 14 th century Tiandi Zhiran Hetu (Heaven and Earth’s Natural Diagram of the River), Hetu (Diagram of River), Luoshu (Chart of Luo), Xiantian tu (Diagram of Preceding Heaven) and Taijitu ...
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It is a symbol that reflects the inescapably intertwined duality of all things in nature, a common theme in Taoism. No quality is independent of its opposite, nor so pure that it does not contain its opposite in a diminished form: these concepts are depicted by the vague division between black and white, the flowing boundary between the two ...
"Yin, Yang, & Yuan" diagram: 3 symmetrical ☯-style "swirl" sections — light purple, dark purple, & blue, each section featuring a inside — blue, lime green, & red respectively; a purple-blue gradient ring surrounds, & a yellow 🟂 sits in the center
The hexagrams of the I Ching in a diagram belonging to the German mathematician philosopher Gottfried Wilhelm Leibniz [1]. The I Ching book consists of 64 hexagrams. [2] [3] A hexagram in this context is a figure composed of six stacked horizontal lines (爻 yáo), where each line is either Yang (an unbroken, or solid line), or Yin (broken, an open line with a gap in the center).