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  2. Ear training - Wikipedia

    en.wikipedia.org/wiki/Ear_training

    As a process, ear training is in essence the inverse of reading music, which is the ability to decipher a musical piece by reading musical notation. Ear training is typically a component of formal musical training and is a fundamental, essential skill required in music schools and the mastery of music.

  3. Sight-reading - Wikipedia

    en.wikipedia.org/wiki/Sight-reading

    The ability to sight-read partly depends on a strong short-term musical memory. [5] An experiment on sight reading using an eye tracker indicates that highly skilled musicians tend to look ahead further in the music, storing and processing the notes until they are played; this is referred to as the eye–hand span.

  4. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music.

  5. Tonic sol-fa - Wikipedia

    en.wikipedia.org/wiki/Tonic_sol-fa

    The Standard Course of Lessons on the Tonic Sol-fa Method of Teaching to Sing was published in 1858. In 1872, Curwen changed his former course of using the Sol-fa system as an aid to sight reading, when that edition of his Standard Course of Lessons excluded the staff and relied solely on Tonic Sol-fa. In 1879 the Tonic Sol-Fa College was opened.

  6. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  7. William Leavitt (musician) - Wikipedia

    en.wikipedia.org/wiki/William_Leavitt_(musician)

    William "Bill" G. Leavitt (October 4, 1926 – November 4, 1990) was an American jazz guitarist and arranger best known for his long series of guitar instruction books and for developing a related curriculum at Berklee College of Music as chair of the guitar department.