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In order for artwork to appear in film or television, filmmakers must go through a process of acquiring permission from artists, their estates or whoever the owner of the photographic rights may be, lest they become embroiled in a potential lawsuit, such as was the case for Warner Bros. with sculptor Frederick Hart following the reproduction of his piece Ex Nihilo in Devil's Advocate, as well ...
The scene was supposedly inspired by a diner (since demolished) in Greenwich Village, Hopper's neighborhood in Manhattan. Hopper himself said the painting "was suggested by a restaurant on Greenwich Avenue where two streets meet". Additionally, he noted that "I simplified the scene a great deal and made the restaurant bigger."
John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. [1] [2] He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).
The final scene of the secret government warehouse in Steven Spielberg's Raiders of the Lost Ark (1981). The Roy and Deckard chase scene in Blade Runner (1982). The view of the crashed space ship in The Thing (1982). The view of the OCP tower in RoboCop (1987) and other scenes. Gotham City street scene in Batman (1989). The Bat Cave in Batman ...
A poet as well as an artist, words featured heavily in his drawings and paintings, with direct references to racism, slavery, the people and street scene of 1980s New York, black historical figures, famous musicians, and athletes, as his notebooks and many important drawings demonstrate.
DOME (real name: Christian Krämer) – street art, murals, urban art El Bocho (Berlin) – street art Boris Hoppek (born 1970, in Kreuztal; also known as "Forty") – contemporary artist based in Barcelona ; artistic roots lie in graffiti, but today his work spans painting, photography, video, sculpture and installation art
Rendered with idealistic values of American scene painting, his works often portray bucolic and idyllic settings, such as gardens, streams, stone cottages, lighthouses and Main Streets. His hometown of Placerville (where his works are much displayed) was the inspiration for many of his street and snow scenes.
The artist began painting his Paris street scenes in the late 1950s, and like Cortès, often painted the same Paris landmark many times, in different weather conditions or various seasons. The most recurrent topics were views of the capital city in cloudy or rainy days, showing streets busy with pedestrians in a rush to go home, and bright ...