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Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
A Völva was buried c. 1000 with considerable splendour in Hagebyhöga in Östergötland, Sweden. In addition to being buried with her wand, she had received great riches which included horses, a wagon and an Arabian bronze pitcher. There was also a silver pendant, which represents a woman with a broad necklace around her neck.
In Celtic and Gallic Europe, the most popular necklace was the heavy metal torc, made most often out of bronze, but sometimes out of silver, gold, or glass or amber beads. [ 6 ] Bronze 4th-century BC buffer-type torc from France
Flask, 1925-1930. Sterling silver and cork, 9 5/8 x 4 1/2 x 1 3/16in. (24.4 x 11.4 x 3cm). Brooklyn Museum, Modernism Benefit Fund. The Napier Company is an American jewelry manufacturing company, and was one of the first modern corporations in the United States. The company is also known historically as a cutting-edge silver object ...
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A young girl was buried with: 2 silver fibulae, a necklace (with coins), bracelet, gold earrings, a pair of hair-pins, comb, and buckle. [49] The Celts specialised in continuous patterns and designs, while Merovingian designs are best known for stylised animal figures. [ 50 ]