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Robert William Gary Moore (4 April 1952 – 6 February 2011) was a Northern Irish musician. Over the course of his career, he played in various groups and performed a range of music including blues , blues rock , hard rock , heavy metal and jazz fusion .
Skid Row (a.k.a. 'Gary Moore/Brush Shiels/Noel Bridgeman') – Gary Moore version of the unreleased third album recorded late 1971 (Castle, 1990) Live And On Song – Both sides of Skid Row's first two singles on the Song label recorded 1969, plus a BBC 'In Concert' recording from 1971 (Hux, 2006)
Between 1947 and 1950, Moore began to make tentative steps into the new medium as a panelist and guest host on quiz and musical shows. On June 26, 1950, he was rewarded with his own 30-minute CBS early-evening talk-variety TV program, The Garry Moore Show, which was a shorter version of his radio show.
The logo of Find a Grave used from 1995 to 2018 [2] Find a Grave was created in 1995 by Salt Lake City, Utah, resident Jim Tipton to support his hobby of visiting the burial sites of famous celebrities. [3] Tipton classified his early childhood as being a nerdy kid who had somewhat of a fascination with graves and some love for learning HTML. [4]
Dirty Fingers is the third solo studio album by Northern Irish guitarist Gary Moore. It was originally recorded in 1980, but was ultimately shelved in favour of the more "radio-oriented" G-Force album. [1] Three of the tracks ("Nuclear Attack", "Don't Let Me Be Misunderstood" and "Run to Your Mama") were later released as an EP in 1981.
Blues for Greeny is the tenth solo studio by Irish guitarist and singer Gary Moore, released in 1995. It is a tribute to Peter Green, guitarist and founder member of the band Fleetwood Mac. The album was recorded using the same 1959 Les Paul Standard Green played on the original tracks. Green loaned and then sold the guitar to Moore after ...
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Blues Alive is a live album by Northern Irish guitarist Gary Moore, released in May 1993. [3] It is a collection of recordings taken from his 1992 tour and draws most of its material from Moore's then-recent Still Got the Blues and After Hours albums.