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Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s. The group is primarily known for its 12-inch single "Jam-On's Revenge" (re-released as "Jam on Revenge (The Wikki-Wikki Song)" (1983)) and "Jam on It" (1984).
The original plan was to have "Computer Age" be the group's second single, but Sunnyview requested a second hip hop song, which led to "Jam on Revenge", a song adapted from rhymes adapted from the days when Jam-On played parties in parks. [3] Following the success of "Jam On It", Sunnyview requested an album from the group. [3]
Nucleus was a British jazz-fusion band, which continued in different forms from 1969 to 1989. [1] In 1970, the band won first prize at the Montreux Jazz Festival , released the album Elastic Rock , and performed both at the Newport Jazz Festival and the Village Gate jazz club.
Songs with a theme of nuclear war have been a feature of popular culture since the early years of the Cold War. [1] "4 Minute Warning" By Radiohead (2007) "137" By Brand New (2017) "1983... (A Merman I Should Turn to Be)" by Jimi Hendrix "1999" By Prince (1982) "2 Minutes to Midnight" By Iron Maiden (1984) "540,000 Degrees Fahrenheit" by Fear ...
Originally, the song appeared on Rule 3:36 and only featured Ja Rule with Vita, until a remixed version was recorded with new vocals by singer Lil' Mo, which proved very popular, especially on radio. Ja Rule explained that the lyrics of the song were inspired by an argument he had with his wife to show how important she is to him.
The song had been tinkered with in Gossard and bassist Jeff Ament’s pre-Pearl Jam band Mother Love Bone but was never completed before frontman Andrew Wood died of a drug overdose in early 1990.
"Music has always been humanity's greatest healer," Hart said when he took the stage at the end of the two-and-a-half-hour show. The bars around the convention center were jam-packed as colorful ...
Nucleus is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1975, featuring performances by Rollins with George Duke, Raul de Souza, Bennie Maupin, Chuck Rainey, Eddie Moore, Mtume, Bob Cranshaw and Roy McCurdy. [1] It was recorded at Fantasy Studios, Berkeley, CA, on September 2–5, 1975.