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Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation.Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. [1]
As a result, typefaces therefore have to be supplied at least fourfold (with computer systems, usually as four font files): as regular, bold, italic, and bold italic to provide for all combinations. Professional typefaces sometimes offer even more variations for popular fonts, with varying degrees of blackness.
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
Fonts for swash and alternate characters were eventually released in OpenType versions of the fonts, [44] or separately as ITC Bookman Swash. ITC licensed the design to Adobe and Apple , guaranteeing its importance in digital printing by making it one of the core fonts of the PostScript page description language as part of the Adobe PostScript ...
A humanist sans-serif font family, somewhat similar to Syntax (1968) and Frutiger (1976). It included fonts in 8 weights and 2 widths, with complementary italic fonts. A distinctive figure is the 'Q' with the detached tail, somewhat similar to that on Dwiggins' Metro; an alternate is provided for when this is unsuitable.
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Montserrat has gained popularity as a free alternative to other similar sans-serif fonts, such as Gotham or Avenir. [7] Although mainly seen in websites and online media , its high readability and ease of scaling make Montserrat a suitable typeface for printed material, such as brochures, signage and even books (as can be seen in the ...
In those days sizes had their own drawing, so that small sizes are wider and have a lower contrast compared to large fonts in the same design: optical correction. In this sense, Cambria is like a small size font, except that it may also be used at large sizes." As with the other ClearType fonts, both lining figures and text figures are offered ...