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Petruk is one of the four Punokawan, together with Semar (the leader/father figure), Bagong, and Gareng; Petruk acts as the middle child.They are portrayed living together as a harmonious family. [1]
Panakawan (right) accompanied their masters in a traditional wayang wong theater performance in Yogyakarta.September 1923. Panakawan in wayang kulit, from left to right: Bagong, Petruk, Gareng, and Semar.
Christ's Charge to Peter, one of the Raphael Cartoons, c. 1516, a full-size cartoon design for a tapestry. In fine art, a cartoon (from Italian: cartone and Dutch: karton—words describing strong, heavy paper or pasteboard and cognates for carton) is a full-size drawing made on sturdy paper as a design or modello for a painting, stained glass, or tapestry.
An archaic ondel-ondel during the colonial period, performed at the opening of the new wing of Hotel des Indes.. Traditionally, the figure of ondel-ondel was known as barongan, a word derived from barong, a protective spirit that can be found across the animistic Austronesian culture long before the arrival of Hinduism.
Cepot, as a wayang golek puppet. Cepot or Astrajingga [1] is one of the wayang golek characters in Sundanese puppetry. Cepot is a punokawan alongside Dawala and Garéng, which do not exist in the original Mahabharata or Ramayana.
Illustration by Jessie Willcox Smith (1863–1935). An illustration is a decoration, interpretation, or visual explanation of a text, concept, or process, [1] designed for integration in print and digitally published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films.
A warak ngendog figure, in the collection of the Great Mosque of Central Java. Warak ngendog (egg laying bird) is a mythical creature resembling a rhinoceros carrying eggs on its back.
According to the legend, once upon a time in Svargaloka, a pair of deities, a god and a goddess committed a terrible sin.As punishment, Batari Sunan Ambu (the highest mother goddess also the queen of heaven in Sundanese mythology) banished them from Svargaloka and incarnated them on earth as animals—the god became a dog named Tumang, while the goddess became a boar named Celeng Wayungyang.