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Struck bowls are used in some Buddhist religious practices to accompany periods of meditation and chanting. Struck and singing bowls are widely used for music making, meditation and relaxation, as well for personal spirituality. They have become popular with music therapists, sound healers and yoga practitioners. Standing bells originated in China.
Today, tingsha are used along with singing bowls [1] and other instruments in meditation, music and sound healing. Artists such as Karma Moffett and Perteson Meneses, Joseph Feinstein use multiple pairs of antique tingsha together to create a sonic tapestry effect.
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
Buddhist music retains a prominent place in many Buddhist traditions, and is usually used for ceremonial and devotional purposes. [5] Buddhist music and chanting is often part of Buddhist rituals and festivals in which they may be seen as offerings to the Buddha. [6] Most Buddhist music includes chanting or singing, accompanied by instruments.
The music is produced by simple mechanical processes, and Tibetan bowls were decided on partly because of their relative robustness and ability to stay in tune without frequent retuning and partly because they have a long musical tradition stretching back over a thousand years and would not sound fixed to a particular musical fashion in history ...
A typical Tibetan Buddhist ritual orchestra consists of a gyaling, dungchen, kangling, dungkar (conch shells), drillbu (handbells), silnyen (vertical cymbals), and most importantly, chanting. Together, the music creates a state of mind to invite or summon deities.
David & Steve Gordon released two albums of world drum and percussion music in 2009, an upbeat recording titled Drum Cargo: Rhythms of Fire, and an album of quiet drum beats with crystal bowls and native flutes titled Meditation Drum, that according to the liner notes is intended to encourage meditation and relaxation.
Music of Tibet [1] is a historic recording, made by world religion scholar Huston Smith in 1967. [2] While traveling in India, Smith was staying at the Gyuto Monastery. While listening to the monks chanting, he realized that each monk was producing multiple overtones for each note, creating a chord from a single voice.