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"Love Me Tender" is a 1956 ballad song recorded by Elvis Presley and published by "Elvis Presley Music" from the 20th Century Fox film of the same name. Lyrics are credited to "Vera Matson" (though the actual lyricist was her husband, Ken Darby ).
I–V–vi–IV chord progression in C: 4: ... Cadence (music) This page was last edited on 18 January 2025, at 12:16 (UTC). Text is available under the Creative ...
The tune is familiar to modern audiences from the 1956 Elvis Presley #1 hit "Love Me Tender" with new lyrics by Ken Darby, a derivative adaptation of the original. A later Presley recording for the film The Trouble with Girls entitled "Violet (Flower of N.Y.U.)" also used the melody of "Aura Lea".
"Love Me Tender" (song), a 1956 song by Elvis Presley, adapted from the tune of the 1861 American Civil War song "Aura Lee" Love Me Tender, a 1956 film featuring Elvis Presley, named after the song Love Me Tender, an EP by Elvis Presley, containing songs from the above-mentioned 1956 film Love Me Tender
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation , the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff.
In composing the music for Mondstadt, Chen borrowed the language and rhythm of Impressionism and used the piano, tin whistle instruments, and medieval-style lutes. In composing the combat music, he used various composition techniques such as polyphony and taking orchestration elements from composers such as Ludwig van Beethoven. [4] [1]
The New York Times panned the first side of Love Me Tender, calling it "bland, countrypolitan elevator music," but thought more highly of side two's "first-rate after-hours blues." [7] The Globe and Mail wrote that "the singing is lugubrious, the playing is by rote, and the sound is so lush that King can barely be heard above it." [8]
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...