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This piece is sometimes presented as furniture music No. 3. As Satie's pieces of furniture music were very short pieces, with an indefinite number of repeats, this kind of furniture music later became associated with repetitive music (sometimes used as a synonym of minimal music), but this kind of terminology did not yet exist in Satie's time.
“Creating this garland for my desk was a fun way to add a little touch of Taylor to my classroom. My students and coworkers always give me compliments and tell me how creative and fun it is."
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Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
Users exploring the world with their avatars in Second Life. A virtual world (also called a virtual space or spaces) is a computer-simulated environment [1] which may be populated by many simultaneous users who can create a personal avatar [2] and independently explore the virtual world, participate in its activities, and communicate with others.
The music video for the single premiered on 14 April 2011 on YouTube. The video shows the band performing the song through a 1980s-style video camera with huge amounts of colour, distortion and an old computer showing the word "DON'T".
The High Back Chairs was a band from Washington, DC. Initially consisting of guitarist/vocalist Peter Hayes, guitarist Jim Spellman , bassist/vocalist Charles Steck, and drummer/vocalist Jeff Nelson , the group released its music on the Washington, D.C. punk record label, Dischord Records . [ 1 ]
Songs from the Big Chair is the second studio album by the English band Tears for Fears, released on 25 February 1985 by Mercury Records, distributed by Phonogram Inc. A follow-up to the band's successful debut album, The Hurting (1983), Songs from the Big Chair was a significant departure from that album's dark, introspective synth-pop, featuring a more mainstream, guitar-based pop rock sound ...