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The musical Hadestown, written by American singer-songwriter Anaïs Mitchell and based on her 2010 studio album of the same name, has had two official cast recordings.In addition, various songs from Hadestown were re-recorded by Mitchell for her 2014 studio album Xoa, including the musical's opening number "Anyway the Wind Blows" which had not appeared on the original concept album.
A live cast recording of the off-Broadway production was released on October 6, 2017, through Parlophone Records. A four-track EP entitled Why We Build the Wall (Selections from Hadestown. The Myth. The Musical. Live Original Cast Recording) was released for digital retailers on October 13, 2016, to promotion the album. [citation needed]
Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld.
The production that began in Vermont in 2006 would go on to win eight Tony Awards in 2019, including Best Musical and Best Original Score.
She recalls various moments regarding the musical's evolution over its history, including its release as an album in 2010, global debuts in Edmonton and London, plus finally hitting Broadway and ...
The four shows come after Mitchell’s scruffy, imaginative folk opera arrived on Broadway in 2019, winning eight Tony Awards including Best Musical. 'Hadestown' comes home: Five things to know as ...
Most recently, Michael received the 2019 Tony Award for Best Musical as a co-producer for Broadway's Hadestown and the 2017 Emmy Award for Audio for his work on From Broadway with Love: A Benefit Concert for Orlando. He also received both TONY and Olivier award nominations as a co producer for Broadway/West End's Beautiful: The Carole King Musical.
Yola on the ‘Gig Energy’ of Playing Persephone in Broadway’s ‘Hadestown,’ and Why She’s Taking a Turn in Her Music Career to Do Things Her Way Chris Willman October 11, 2024 at 4:33 PM
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