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A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles. [3] [4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider ...
Proper attire for women was enforced for morning, afternoon, and evening activities. In the early part of the decade, wealthy women were still expected to change from a morning to an afternoon dress. These afternoon or "tea gowns" were less form-fitting than evening dresses, featured long, flowing sleeves, and were adorned with sashes, bows, or ...
Plunkett's "barbecue dress" for Vivien Leigh as Scarlett O'Hara was the most widely copied dress after the Duchess of Windsor's wedding costume, and Vogue credited the "Scarlett O'Hara" look with bringing full skirts worn over crinolines back into wedding fashion after a decade of sleek, figure-hugging styles. [11]
“The women of The View dressed in all black funeral attire,” one viewer pointed out on X/Twitter. “The ladies coming out in all black, dressed for a funeral is very fitting. RIP America.
Examples include the mini skirt, culottes, go-go boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC clothes. Mary Quant popularized the mini skirt, and Jackie Kennedy introduced the pillbox hat; [1] both became extremely popular. False eyelashes were worn by women throughout the 1960s.
Over time, bedgowns became the staple upper garment of British and American female working-class street wear. Women would also often wear a neck handkerchief or a more formal lace modesty piece, particularly on lower cut dresses, often for modesty reasons. [12] In surviving artwork, there are few women depicted wearing bedgowns without a ...