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"Dizzy, Miss Lizzy" is a rock and roll song written and recorded by Larry Williams in 1958. Although identified as a "genuine rock & roll classic", [ 1 ] it had limited success on the record charts. Seven years later, the Beatles recorded the song, and John Lennon performed it with the Plastic Ono Band in 1969.
This claim originated at about the time Larry Williams was found dead. [citation needed] He had recorded and performed as a drummer for Bobby "Blue" Bland in the 1960s. [13] Albritton toured the country performing under the moniker of "Big" Larry Williams, and claimed that he recorded the hits "Bony Moronie" and "Dizzy Miss Lizzy."
Here's Larry Williams is the debut studio album by American singer-songwriter Larry Williams, released by Specialty Records in 1959. [1] [3] The album includes two of Williams's hit singles, "Short Fat Fannie" and "Bony Moronie", and also features the song "Dizzy, Miss Lizzy", which would later be covered by the Beatles.
Larry Williams’ “Dizzy Miss Lizzy” acts as an exclamation point for the album after “Yesterday,” a landmark McCartney composition and the first of many Beatles songs that was essentially ...
Dizzy, Miss Lizzy; S. Short Fat Fannie; Slow Down (Larry Williams song) This page was last edited on 10 November 2023, at 13:19 (UTC). ...
"Bad Boy" is one of several Larry Williams songs the English rock band the Beatles recorded during their career. They recorded it on May 10, 1965, (Williams' birthday), along with Williams' "Dizzy, Miss Lizzy," and it was originally intended solely for release in North America.
Williams recorded the song at Master Recorders, Hollywood, California, on September 11, 1957. [3] Music journalist Gene Sculatti describes the instrumentation provided by the back-up musicians as "unstoppable, nongimmicky, almost careening out of control with its pounding piano and booting sax, 'Slow Down' is arguably Williams's hippest track". [3]
In 1958, Larry Williams, who had been Lloyd Price's valet, reworked the song to become "Dizzy Miss Lizzy". [ 3 ] Price's song has also been identified as "one of the first rhythm and blues records to attract the attention of white Southern teenagers, among them Elvis Presley , who cut his own version four years later" [ 17 ] and "becom[ing] a ...