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Rapa Nui tattoo tools, Manchester Museum. Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo ...
Blackout tattoos may also be used as a background for color or black-on-black patterns and designs. [25] In some cases, designs in white ink are placed on top of blackout tattoos after they have healed to create visual contrast. [26] Scarification is sometimes used on top of blackout tattoos. This provides a similar effect to white ink tattoos ...
Viriamo, back view by Walter Knoche, 1911. Viriamo's face and body may have been tattooed by the catechist Tomanika Vaka Tuku One. Her face featured geometric stripes on her forehead and an adze-like design on her cheek, and her back was decorated with the ao motif, which symbolised a paddle.
Pages in category "Polynesian tattooing" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. M. Malu;
Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Women continued receiving moko through the early 20th century, [12] and the historian Michael King in the early 1970s interviewed over 70 elderly women who would have been given the moko before the 1907 Tohunga Suppression Act. [13] [14] Women's tattoos on lips and chin are commonly called pūkauae or moko kauae. [15] [16]
Tattoo flash was designed for rapid tattooing and used in "street shops"—tattoo shops that handle a large volume of standardized tattoos for walk-in customers. [1]: 111 Pieces of flash are traditionally drawn or printed on paper, and displayed for walk-in customers in binders or on the walls of tattoo shops. In the 21st century they may also ...