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"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with " Yellow Submarine ". Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship. [ 3 ]
In 1986, "Yellow Submarine" / "Eleanor Rigby" was reissued in the UK as part of EMI's twentieth anniversary of each of the Beatles' singles and peaked at number 63 on the UK Singles Chart. [171] The 2015 edition of 1 and the expanded 1+ box set includes a video clip for the song, compiled from footage from the 1968 animated film. [172]
Where 'Eleanor Rigby' compressed tragedy into poignant detail, 'She's Leaving Home' is uninspired narrative, and nothing more." [ 21 ] Author Ian MacDonald considered "She's Leaving Home" to be one of the two best songs on the album, along with " A Day in the Life ". [ 22 ]
In the UK, where "Eleanor Rigby" was the favoured side, the single became the best-selling song of 1966, [213] after topping the national chart for four weeks during August and September. [242] On Record Retailer ' s LPs chart (later the UK Albums Chart ), Revolver entered at number 1 [ 338 ] and stayed there for seven weeks during its 34-week ...
The band recorded "Elenore" as a parody of the type of happy-go-lucky pop songs they themselves had been performing, but with deliberately clichéd and slapdash lyrics such as: "Your looks intoxicate me / Even though your folks hate me / There's no one like you, Elenore, really"; and "Elenore, gee, I think you're swell / And you really do me ...
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In 2006, a portion was used for the Love album, mixed with "Eleanor Rigby". Coinciding with the 50th anniversary of its release, Jacob Stolworthy of The Independent listed "Julia" at number 13 in his ranking of the White Album's 30 tracks. He commented: "The first disc ends on a sanguine note with Lennon's ode to his deceased mother, Julia.
"I'm Only Sleeping" is a song by the English rock band the Beatles from their 1966 studio album Revolver. In the United States and Canada, it was one of the three tracks that Capitol Records cut from the album and instead included on Yesterday and Today, released two months before Revolver.