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Walking the Dog is one of many musical numbers written in 1937 by George Gershwin for the score for the Fred Astaire – Ginger Rogers film Shall We Dance. In the film, the music accompanies a sequence of walking a dog on board a luxury liner. In 1960, the sequence was published as "Promenade".
The entire Gershwin project may take 30 to 40 years to complete, and it is unclear when the score to Shall We Dance (which includes Hoctor's Ballet) will be released. [ 1 ] [ 2 ] * See specifically Gershwin: A New Critical Biography, by Edward Jablonski (1998) pg. 300-304 and Gershwin: His Life and Work, by Howard Pollack (2006) pg. 671 for ...
Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich.It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art.
The first four bars of "Let's Call the Whole Thing Off" "Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance, where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. [5]
"Shall We Dance?" (1951 song), a Rodgers and Hammerstein song from the musical The King and I "Shall We Dance", a 1981 song by Bram Tchaikovsky "Shall We Dance", a George and Ira Gershwin song, the finale to the 1937 film Shall We Dance; Shall We Dance?, a 1961 album by Jack Jones
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"Slap That Bass" is a song composed by George Gershwin, with lyrics by Ira Gershwin, introduced by Fred Astaire and Dudley Dickerson in the 1937 film Shall We Dance. [ 3 ] The song refers to the slap style of double bass playing that was popular at the time.
In music, number refers to an individual song, dance, or instrumental piece which is part of a larger work of musical theatre, opera, or oratorio. It can also refer either to an individual song in a published collection or an individual song or dance in a performance of several unrelated musical pieces as in concerts and revues .