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The prevalence of calligraphy in Islamic art is not directly related to its non-figural tradition; rather, it reflects the centrality of the notion of writing and written text in Islam. [7] Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles.
Butt is one of the few living Islamic calligraphers whose work has been auctioned through Christie's, London. Rasheed Butt has served as a Professor at National College of Arts (2008-2009) and Fatima Jinnah Women's University (2006-2010), both located in Rawalpindi, Pakistan. He has also conducted several calligraphy workshops.
[7] [8] [9] The Nasser D. Khalili Collection of Islamic Art includes 26,000 objects documenting arts from Islamic lands over a period of almost 1400 years. It was described in 1998 as "one of the largest and most representative collections of Quranic manuscripts in the world" [ 10 ] and is the largest private collection.
Keir Collection (currently on loan to the Dallas Museum of Art) 1,642 [39] [3] [40] USA Los Angeles: Los Angeles County Museum of Art [3] USA New York: Metropolitan Museum of Art: 15,000 [41] [3] USA New York: New York Public Library [3] USA St. Louis: Saint Louis Art Museum: 250 [42] 1904 USA Honolulu: Shangri La Museum of Islamic Art, Culture ...
Arabic calligraphy can be on occasion be found in places of worship for Muslim's known as Mosques with engravings of Quranic verses / Ayah present on parts of the architecture itself. [16] The most widely recognized example of Arabic Calligraphy on a place of Islamic worship is the Kaaba present in Mecca, Saudi Arabia. [17]
Sadequain was part of a broader Islamic art movement that emerged independently across North Africa and parts of Asia in the 1950s and known as the Hurufiyya movement. [13] Hurufiyah refers to the attempt by artists to combine traditional art forms, notably calligraphy as a graphic element within a contemporary artwork. [14]