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The main song that Grizabella sings is "Memory", the best-known song from Cats and "by some estimations the most successful song ever from a musical." [ 11 ] It has been recorded around 600 times (as of 2006) by artists including Barbra Streisand , Barry Manilow , Johnny Mathis , [ 12 ] Michael Crawford and Kikki Danielsson .
The song became Huey’s first No. 1 hit on the U.S. Billboard Hot 100, won “Favorite Single” and “Favorite Video Single” at the 13th Annual American Music Awards, and was nominated for an ...
"Memory" is a show tune composed by Andrew Lloyd Webber, with lyrics by Trevor Nunn based on poems by T. S. Eliot. It was written for the 1981 musical Cats, where it is sung primarily by the character Grizabella as a melancholic remembrance of her glamorous past and as a plea for acceptance.
Pat Benatar started writing the song after reading a series of articles on child abuse in The New York Times. She was shocked to learn such things happen and wanted to write about it. [4] A live version of this song from her album Live from Earth (1983) was released as the B-side of her "Love Is a Battlefield" single three years later.
"The Hell Song" is a song by Canadian rock band Sum 41. The song was released on February 10, 2003, as the second single of the band's album Does This Look Infected?. "The Hell Song" became a top-40 hit in Ireland, Italy, and the United Kingdom. On May 29, 2015, it was certified gold by the Recording Industry Association of America (RIAA).
Elio Mitsushima, in an article for BadCats Weekly, wrote that the song's "mad" chorus (with lyrics such as "In my dreams, I am always running from pain / I remember only that girl's naked warmth") illustrates a truly insane world where life is constant hell but with occasional good happenings, rather than a life that is only occasionally hell. [3]
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Hell's Pit is the second part of the sixth Joker's Card, The Wraith, written with the opposite intent of its counterpart, Shangri-La, Hell's Pit is intended to illustrate the horrors of hell itself. Many of the songs feature Violent J and Shaggy 2 Dope fictitiously dying, to be sent to Hell, depicted in the album as a place void of all hope and ...