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The grave of poet Sylvia Plath in Heptonstall. After living a life of manic depression and attempting suicide multiple times, Plath committed suicide on 11 February 1963 in her London flat. At around 4:00 am, [8] Plath placed her head in an oven and gassed herself, dying of carbon monoxide poisoning. The surrounding doorways had been sealed by ...
Sylvia Plath (/ p l æ θ /; October 27, 1932 – February 11, 1963) was an American poet and author.She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963.
However, when considering the nature of Sylvia Plath's life and death and the parallels between The Bell Jar and her life, it is hard to ignore the theme of mental illness. [16] Psychiatrist Aaron Beck studied Esther's mental illness and notes two causes of depression evident in her life. [17]
In the wake of Plath’s death by suicide, her husband and fellow writer Ted Hughes constructed a narrative that he was the “stabilizing factor” in his wife’s life but that, in the end, even ...
Sylvia Plath's poem "Daddy" had very dark tones and imagery including death and suicide, in addition to the Holocaust. Plath wrote about her father's death that occurred when she was eight years old and of her ongoing battle trying to free herself from her father. Plath's father, Otto Plath, had died from complications after his leg amputation.
"Lady Lazarus" and Sylvia Plath's poetry catalog falls under the literary genre of Confessional poetry.. According to the American poet and critic, Macha Rosenthal, Plath's poetry is confessional due to the way that she uses psychological shame and vulnerability, centers herself as the speaker, and represents the civilization she is living in. [1] Her husband, the poet Ted Hughes, has ...
Ariel was the second book of Sylvia Plath's poetry to be published. It was first released in 1965, two years after her death by suicide. The poems of Ariel, with their free-flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems.
The list below includes the poems in the US version of the collection, published by Heinemann in 1960. [1] This omits several poems from the first UK edition, published by Faber & Faber in 1967, [2] including five of the seven sections of "Poem for a Birthday", only two of which ("Flute Notes from a Reedy Pond" and "The Stones") are included in the US edition.