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The Eagle" was inspired by Tennyson's frequent travels to the Pyrenees. He frequently saw eagles, raptors, and other birds of prey circling above him in this area. In the poem, Tennyson opted to create an imaginary setting of cliffs by the sea, instead of the mountainside. Tennyson is known for his imagery and transcendental vantage points. [5]
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Alfred Tennyson, 1st Baron Tennyson FRS (/ ˈ t ɛ n ɪ s ən /; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria 's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu".
Poems, by Alfred Tennyson, was a two-volume 1842 collection in which new poems and reworked older ones were printed in separate volumes.It includes some of Tennyson's finest and best-loved poems, [1] [2] such as Mariana, The Lady of Shalott, The Palace of Art, The Lotos Eaters, Ulysses, Locksley Hall, The Two Voices, Sir Galahad, and Break, Break, Break.
The volume had the following title-page: Poems, Chiefly Lyrical, by Alfred Tennyson. London: Effingham Wilson, Royal Exchange, 1830. [3] Favourable reviews appeared by Sir John Bowring in the Westminster, by Leigh Hunt in the Tatler, and by Arthur Hallam in the Englishman's Magazine. [2]
The poem was inspired by Charlotte Rosa Baring, younger daughter of William Baring (1779–1820) and Frances Poulett-Thomson (d. 1877). Frances Baring married, secondly, Arthur Eden (1793–1874), Assistant-Comptroller of the Exchequer, and they lived at Harrington Hall, Spilsby, Lincolnshire, which is the garden of the poem (also referred to as "the Eden where she dwelt" in Tennyson's poem ...
Tennyson passed most of his subsequent life in Italy and Jersey. On his inheritance of an estate near Grimsby in 1833, he went firstly to Corfu, then settled for twenty years in Florence, where he was a friend of Robert and Elizabeth Barrett Browning. In 1839 he married Maria Carolina Giuliotti, the daughter of the Chief magistrate of Tuscany. [1]
The poem's combination of dark humour, imagery and sympathy for the hero was unique in relationship to the previous works Tennyson published before 1842. [4] Tennyson, at the end of his life in 1892, returned to the idea and followed "St. Simeon Stylites" with the poem "St. Telemachus". [5]