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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
Download as PDF; Printable version; ... Poetics (Aristotle) Politics (Aristotle) ... Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; ...
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Janko published a controversial book Aristotle on Comedy, arguing that a summary of the lost second book of Aristotle's Poetics on comedy and humour survives in a tenth-century manuscript in Paris, the Tractatus coislinianus. This was shortly followed by an annotated translation of Aristotle's Poetics itself.
Scholastic philosophy in the Latin West was decisively shaped when the works of Aristotle became widely available, at first through translations of commentators and their basis texts from Arabic, and later through translations from Greek of Aristotle's original text (notably by William of Moerbeke) and of the Greek commentators.
Then came the Physics, followed by the Metaphysics (12th century), and Averroes' Commentary on Aristotle's Metaphysics (13th century), [11] so that all works were translated by the mid-13th century. [7] A text like On the Soul, for instance, was unavailable in Latin in Christian Europe before the middle of the twelfth century. [12]
As translations became available, theorists have looked to the Poetics retrospectively for support of the concept. [16] In these passages from the Poetics, Aristotle considers action: Tragedy, then is a process of imitating an action which has serious implications, is complete, and possesses magnitude. [17]... A poetic imitation, then, ought to ...