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Theme C più lento (slower) — a sostenuto in the parallel key of C ♯ minor (D ♭ major, enharmonic equivalent to C ♯ major). Besides the slower general pace, the melody is in quarter notes except for a few flourishes in eighth notes, giving this section the quality of an interlude before the dramatic restatement of Theme B.
Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity [2] based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College ...
Waltz Op. 69, No. 2 was composed by Frédéric Chopin for solo piano in the year 1829 at the age of 19. Although it was published posthumously in 1855 by his friend Julian Fontana, together with the Waltz Op. 69, No. 1. [1] [2] The main theme is in the key of B minor and is marked with an overall tempo of Moderato. [3]
The Scherzo No. 2 in B ♭ minor, Op. 31 is a scherzo by Frédéric Chopin. The work was composed and published between 1835 and 1837, [ 1 ] and was dedicated to Countess Adèle Fürstenstein. As pianist David Dubal has written, [ 2 ] Robert Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and ...
According to 5th ed. of Grove (1954), Nos. 1 and 2 (settings of Uhland) were written in c. 1849 and published in 1850, but No. 3 (a Freiligrath setting) was written in c. 1845 and published in 1847. The piano transcription of No. 3 is more effective than the other two, at least for concert performance, and this to my mind is doubtless why the ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Préludes, Book 1, Book 2: Scores at the International Music Score Library Project; Debussy's Préludes – A Beginners' Guide – Overview, analysis and the best recordings, The Classic Review; Performances of Book 1 and Book 2 of the Preludes by Paavali Jumppanen from the Isabella Stewart Gardner Museum in MP3 format