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The original manuscript of the poem, BL Harley MS 2253 f.63 v "Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems.
Ghatakarparakavya: The earliest example of a sandesha kavya is the Ghatakarparakavya, a poem by the poet Ghatakarpara, on the message sent to a lover by a love-lorn woman, appealing to a morning cloud to act as her messenger. [4] The poem is of twenty-four stanzas in five different metres.
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Enlightenment ideas of the 18th century, [ 1 ] and lasted approximately from 1800 to 1850.
The poem begins with a description of a young woman weeping at the edge of a river, into which she throws torn-up letters, rings, and other tokens of love. An old man nearby approaches the woman and asks the reason for her sorrow. She responds by telling him of a former lover who pursued, seduced, and finally abandoned her.
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
For instance, at the beginning of the third stanza of the poem, Sappho calls upon Aphrodite in a chariot "yoked with lovely sparrows", [35] a phrase which Harold Zellner argues is most easily explicable as a form of humorous wordplay. [36] Aphrodite's speech in the fourth and fifth stanzas of the poem has also been interpreted as lighthearted.
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Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.