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American women thought his clothes worked for their increasingly active lifestyles. At the end of the 1920s, Elsa Schiaparelli combined the idea of classic design from the Greeks and Romans with the modern imperative for freedom of movement. Schiaparelli wrote that the ancient Greeks "gave to their goddesses... the serenity of perfection and ...
Adrian was a popular designer for Metro-Goldyn-Mayer during the 1920s-1930s, dressing silent film actresses including Clara Bow, Norma Shearer, Greta Garbo and Joan Crawford: which influenced American women's fashion. [11] This style exposed areas that were previously hidden on the woman, including the knees, as stockings were no longer compulsory.
Marie Callot Gerber died in 1927. [5] Her obituary in Le Figaro commented: "One of the most beautiful figures of the Parisian luxury business has now disappeared." [5]In 1928, Pierre Gerber, Marie Callot Gerber's son, took over the business but could not survive in the highly competitive market and, in 1937, the House of Callot Soeurs closed and was absorbed into the House of Calvet (Marie ...
Madeleine Vionnet is considered one of the most influential fashion designers of the 20th century. Both her bias cut and her urbanely sensual approach to couture remain a strong and pervasive influence on contemporary fashion, as evidenced by the collections of such past and present-day designers as Ossie Clark, Halston, John Galliano, Comme des Garçons, Azzedine Alaia, Issey Miyake and Marchesa.
Fashion historians ascribe the origins of the little black dress to the 1920s designs of Coco Chanel. [1] It is intended to be long-lasting, versatile, affordable, and widely accessible. Its ubiquity is such that it is often simply referred to as the "LBD". [2] [3] [4] The little black dress is considered essential to a complete wardrobe.
Lucy Christiana, Lady Duff-Gordon (née Sutherland; 13 June 1863 – 20 April 1935) was a leading British fashion designer in the late 19th and early 20th centuries who worked under the professional name Lucile.