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In order to appear superior, a miller brags to the king and people of his kingdom by claiming his daughter can spin straw into gold. [note 1] The king calls for the girl, locks her up in a tower room filled with straw and a spinning wheel, and demands she spin the straw into gold by morning or he will have her killed.
The words are sometimes said to be onomatopoeic, made up from the sound of the spinning wheel, “sarasponda, sarasponda, sarasponda", and then the sound of the foot pedal brake slowing down the wheel; "ret, set, set.” This interpretation, however, is questionable, due to the fact that spinning wheels don't have a "foot pedal brake", or any ...
[1] [26] [17] One writer notes, "Weasels do pop their heads up when disturbed and it is quite plausible that this was the source of the name of the dance." [1] Just like the dancers to this jig, the spinner's weasel revolves, but to measure the thread or yarn produced on a spinning wheel. [6]
The Spinning Wheel is also the title/subject of a classic Irish folk song by John Francis Waller. [51] [52] A traditional Irish folk song, Túirne Mháire, is generally sung in praise of the spinning wheel, [53] but was regarded by Mrs Costelloe, who collected it, [54] as "much corrupted", and may have had a darker narrative. It is widely ...
The song, released as a single in 1969, peaked at no. 2 on the Billboard Hot 100 chart in July that year, remaining in the runner-up position for three weeks. [1] "Spinning Wheel" was kept out of the no. 1 position by both "The Love Theme from Romeo and Juliet" by Henry Mancini and "In the Year 2525" by Zager and Evans. [2]
"If someone does feel like a third wheel, they may decide that it's better to maintain individual relationships with one or both or the two other friends," Levine says. "Three is more complicated ...
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" Gretchen am Spinnrade" (Gretchen at the Spinning Wheel), Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 15 of Johann Wolfgang von Goethe's Faust. With "Gretchen am Spinnrade" and some 600 other songs for voice and piano, Schubert contributed transformatively to the genre of Lied .