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Source [2]. John Henry Hopkins Jr. organized the carol in such a way that three male voices would each sing a solo verse in order to correspond with the three kings. [3] The first and last verses of the carol are sung together by all three as "verses of praise", while the intermediate verses are sung individually with each king describing the gift he was bringing. [4]
We three kings of orient are One in a taxi, one in a car One on a scooter pipping his hoooter Didnt get very far. In Manchester UK, the above verse was sung with slightly different -but arguably better- lyrics: We three kings of orient are One in a taxi, one in a car One on a scooter beeping his hooter Following from afar. A slight variation is:
John Henry Hopkins Jr. (October 28, 1820 – August 14, 1891) was an American clergyman and hymnodist, most famous for composing the song "We Three Kings of Orient Are" in 1857 (even though it does not appear in print until his Carols, Hymns, and Songs in 1863).
"The Three Kings", [1] or "Three Kings From Persian Lands Afar", is a Christmas carol by the German composer Peter Cornelius. He set "Die Könige" for a vocal soloist, accompanied by Philip Nicolai's hymn " Wie schön leuchtet der Morgenstern " ("How Brightly Shines the Morning Star"), which he erroneously thought was an Epiphany hymn.
lyrics: James Montgomery; music: Henry Thomas Smart, 1867, ... "We Three Kings of Orient Are" ("Three Kings of Orient") written by Rev. John Henry Hopkins:
"Medley: O Holy Night / We Three Kings Of Orient Are / Deck the Halls with Boughs of Holly" Adolphe Adam, John Henry Hopkins Jr., Traditional: 7:39: 3. "Ring Christmas Bells" Mykola Leontovych, Minna Louise Hohman [5] 2:30: 4. "Medley: Let It Snow! Let It Snow! Let It Snow! / Count Your Blessings (Instead of Sheep) / We Wish You a Merry Christmas"
Pages for logged out editors learn more. Contributions; Talk; We Three Kings Of Orient Are
The volume succeeded wildly; by 1895, Hymns Ancient and Modern was being used in three quarters of English churches. The book "probably did more than anything else to spread the ideas of the Oxford Movement" (which include the aesthetics of "O Come, O Come Emmanuel") "so widely that many of them became imperceptibly a part of the tradition of ...