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The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Mother of God (Generic Title) 13 August 1911 [109] Basilica of the Visitation of Our Lady, Werl: Pope Pius X [cc] Our Lady, Comforter of the Afflicted [110] 17 August 1913 Verne, Salzkotten: Pope Pius X Our Lady of Sorrows [111] 10 May 1925 Kamp-Bornhofen: Pope Pius XI Saint Mary of the Copper Valley [112] 7 June 1925 St. Maria in der ...
Images of the Virgin and Child were for centuries the most common subject for Christian religious art. There are many thousands of surviving historical images. The following is a list (probably incomplete) of those with articles, listed by their usual type of title (although other title forms may be found).
Our Lady of Fátima (Portuguese: Nossa Senhora de Fátima, pronounced [ˈnɔsɐ sɨˈɲɔɾɐ ðɨ ˈfatimɐ]; formally known as Our Lady of the Holy Rosary of Fátima) is a Catholic title of Mary, mother of Jesus, based on the Marian apparitions reported in 1917 by three shepherd children at the Cova da Iria in Fátima, Portugal.
There is also an ancient Byzantine icon of the Mother of God "Nikopea" from the 6th century, where the Virgin Mary is depicted seated upon a throne and holding in her hands an oval shield with the image of "Emmanuel". Icons of the Virgin, known as "The Sign", appeared in Russia during the 11th to 12th centuries.
They usually show Mary holding the infant Jesus in an informal and maternal manner. These paintings often include symbolic reference to the Passion of Christ. The "Adoring Madonna" is a type popular during the Renaissance. These images, usually small and intended for personal devotion, show Mary kneeling in adoration of the Christ Child.
The Deaf-Mute Filippo Viotti's Vision of the Virgin Mary; Dedication of the Basilica of Saint Mary Major; Deesis with Saint Paul and Saint Catherine; Deposition (van Dyck, 1619) Deposition (van Dyck, 1629–30) Deposition (van Dyck, 1635) The Deposition (Raphael) The Deposition from the Cross (Pontormo) Deposition of Christ (Fra Angelico)
Above Mother of God's figure floats God the Father with a gray beard, clothed in robes, spreading His hands over Mary, protecting Her and the whole Earth. On the right and left you can see Marian symbols like lilies among thorns, Mirror of Justice, Tree of Life on the left side and the Blue Gate, the Burning Bush and the Tower of David on the ...