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A drop-2 voicing lowers the second voice by an octave. For example, a C-major triad has three "drop-2 voicings". Reading down from the top voice, they are C E G, E G C, and G C E, which can be heard as the voicings supporting the first three melody notes (following the introductory phrase) of the Super Mario Bros. video game theme. [18]
For example, if a band is playing a tune in the key of C major, if there is a dominant seventh chord played on the dominant chord (i.e., G 7), the chord-playing musicians typically do not play the G note in their voicing of the chord, as they expect the bass player to play the root. The chord playing musicians usually play a voicing that ...
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Close harmony or voicing can refer to both instrumental and vocal arrangements. It can follow the standard voice-leading rules of classical harmony, as in string quartets or Bach chorales , or proceed in parallel motion with the melody in thirds or sixths .
The indifference of this rootless harmony to tonality places the burden of key verification upon the voice with the most active melodic line. [ 2 ] Quintal harmony (the harmonic layering of fifths specifically) is a lesser-used term, and since the fifth is the inversion or complement of the fourth, it is usually considered indistinct from ...
Example 1: Below, a common voicing used by jazz pianists is given for the chord C 7 ♯ 9 (C major chord with a minor 7th, and extended with an augmented 9th). In the lower stave the notes E ♮ and B ♭ are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C 7 ♯ 9 chord.
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The A ♭ in the altered chord serves as a leading tone to G, which is the root of the next chord.. The object of such foreign tones is: to enlarge and enrich the scale; to confirm the melodic tendency of certain tones...; to contradict the tendency of others...; to convert inactive tones into active [leading tones]...; and to affiliate the keys, by increasing the number of common tones.