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The documented history of make-up in Japan begins in the Edo period. While modern western makeup styles such as in Europe and the US emphasize pinpoint makeup for the eyes and mouth, modern Japanese styles place more emphasis on foundation, base makeup, and skin-care.
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi (白粉) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-.
Light, proper use of makeup was ideal. The women of Osaka and Kyoto were ridiculed as they used heavier makeup than the women in Tokyo, considering them to be "yabo" (rough). [7] Slim and fragile women with up turned eyes and narrow faces also began to be the ideal, shifting away from the preference of plumpness. [8]
In Japan, geisha wore lipstick made of crushed safflower petals to paint the eyebrows and edges of the eyes as well as the lips, and sticks of bintsuke wax, a softer version of the sumo wrestlers' hair wax, were used by geisha as a makeup base.
Ganguro (ガングロ) is an alternative fashion trend among young Japanese women which peaked in popularity around the year 2000 and evolved from gyaru.. The Shibuya and Ikebukuro districts of Tokyo were the centres of ganguro fashion; it was started by rebellious youth who contradicted the traditional Japanese concept of beauty; pale skin, dark hair and neutral makeup tones.