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The perception of analog audio being demonstrably superior was also called into question by music analysts following revelations that audiophile label Mobile Fidelity Sound Lab had been covertly using Direct Stream Digital files to produce vinyl releases marketed as coming from analog master tapes, with lawyer and audiophile Randy Braun stating ...
The 3M digital multitrack recorder in development at the time was based on BBC technology. The first all-digital album recorded on this machine was Ry Cooder's Bop till You Drop in 1979. British record label Decca began development of its own 2-track digital audio recorders in 1978 and released the first European digital recording in 1979. [16]
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .
Digital audio is sound (often music or speech) which is recorded (born-digital) or converted from analog sources and stored in a digital format. Digital audio can be stored on a variety of storage media, including compact disc, audio CD, audio DVD, DAT tape, or as a computer file. Playing equipment decodes the stored signal.
Other examples of generative music technology include the use of sensors connected to computer and artificial intelligence to generate music based on captured data, such as environmental factors, the movements of dancers, or physical inputs from a digital device such as a mouse or game controller.
An audio format is a medium for sound recording and reproduction.The term is applied to both the physical recording media and the recording formats of the audio content—in computer science it is often limited to the audio file format, but its wider use usually refers to the physical method used to store the data.
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It is a genre of electronic literature, and also related to generative art. John Clark's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [1] [2] while Christopher Strachey's love letter generator (1952) is the first digital example. [3]