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It is a double album that follows a loose concept around the eponymous fictional band Star Power. Unlike their previous full-length, the album was recorded almost entirely at home and in various locations in Los Angeles, such as the Chateau Marmont and Beverly Hills Hotel.
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
Richard E. Roeper (born October 17, 1959) [1] is an American columnist and film critic for the Chicago Sun-Times.He co-hosted the television series At the Movies with Roger Ebert from 2000 to 2008, serving as the late Gene Siskel's successor.
Roger Ebert gave the movie half of one star out of four and called it "a puerile exploitation of one very thin joke during 98 very long minutes." [6] On his Sneak Previews program with Gene Siskel, Ebert said, "At times, it is a savage affront to the intelligence," and "It's not funny. It's one of the low points of my entire movie-going career."
In the Catskills, Corky reunites with his high-school crush, Peggy Ann Snow, who is stuck in a passionless marriage with Duke, Corky's friend from high school. A magic trick with a deck of cards charms Peggy into thinking they are soulmates, and the pair make love. This sparks jealousy in both Duke and Fats.
When We Were Kings is regarded as one of the best boxing documentaries ever made. It maintains a 98% positive rating at Rotten Tomatoes, with the website's critics consensus calling it "an engrossing documentary that's as much about a time and a place as it is about a fight" [3] and received strong reviews from critics such as Roger Ebert [6] and Edward Guthmann. [7]
A baseball rivalry steeped in tradition and lure will be rekindled starting Friday.
In a three-star review, film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". [10] Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". [11]