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1.9:1 SMPTE/DCI digital cinema basic resolution container aspect ratio. Exact ratio is 256:135 but it is commonly referred to as 1.9:1 [32] [33] or 1.90:1 [34] [35] and sometimes 1.896:1. [36] Used by Diao Yinan's The Wild Goose Lake. [35] 2:1 = 18:9 Recently popularized by the Red Digital Cinema. Original SuperScope ratio, also used in ...
In such an instance, a photographer will compose for widescreen, but "protect" the full image from things such as microphones and other filming equipment. Standardized "flat widescreen" ratios are 1.66:1, 1.75:1, 1.85:1, and 2:1. The 1.85:1 aspect ratio has become the predominant aspect ratio for the format.
These may also use other aspect ratios by cropping otherwise black bars at the top and bottom which result from cinema aspect ratios greater than 16∶9, such as 1.85 or 2.35 through 2.40 (dubbed "Cinemascope", "21∶9" etc.), while the standard horizontal resolution, e.g. 1920 pixels, is usually kept.
Original, Anamorphic and letterbox. Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution.
While 16:9 (1.7 7:1) was initially selected as a compromise format, the subsequent popularity of HD broadcast has solidified 16:9 as perhaps the most common video aspect ratio in use. [7] Most 4:3 (1.3 3 :1) and 21:9 video is now recorded using a " shoot and protect " technique that keeps the main action within a 16:9 (1.7 7 :1) inner rectangle ...
With high-definition television now in common usage (with its standardized 16:9 (1.78:1) aspect ratio), the need to reformat 1.85:1 movies for television viewing has virtually evaporated, although television broadcasts still reformat 2.39:1 movies by means of using open matte or pan and scan.
As an example, 8:5, 16:10, 1.6:1, 8 ⁄ 5 and 1.6 are all ways of representing the same aspect ratio. In objects of more than two dimensions, such as hyperrectangles , the aspect ratio can still be defined as the ratio of the longest side to the shortest side.
Academy ratio 1.375:1. The Academy ratio of 1.375:1 (abbreviated as 1.37:1) is an aspect ratio of a frame of 35 mm film when used with 4-perf pulldown. [1] [2] It was standardized by the Academy of Motion Picture Arts and Sciences as the standard film aspect ratio in 1932, although similar-sized ratios were used as early as 1928.