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Witches' Sabbath 13th-century CE portrayal of an unclean spirit. In folklore, the witching hour or devil's hour is a time of night that is associated with supernatural events, whereby witches, demons and ghosts are thought to appear and be at their most powerful.
Lyrically, the song refers to the liberation of the ancient Jewish people from Egyptian slavery. That story held a second meaning for enslaved African Americans, because they related their experiences under slavery to those of Moses and the Israelites who were enslaved by the pharaoh, [5] and the idea that God would come to the aid of the persecuted resonated with them.
Allmusic reviewer Johnny Loftus describes Zug Izland's music style as incorporating elements of piano ballads, goth, industrial and electronic music, nu metal and horror film scores. [1] According to Loftus, "Zug Izland's sparer style [is] unique in an alt-metal climate of two-guitar lineups and monstrous six-string bass bottom ends."
A recording of an arrangement of "Go Tell It on the Mountain" for congregational singing (2008) "Go Tell It on the Mountain" is an African-American spiritual song and Christmas carol which was most likely derived from the oral tradition, but was first printed in an early-1900s compilation of African-American folk songs. [1]
I hear music in the air (I hear music in the air) Up above my head (up above my head) I hear music in the air (I hear music in the air) I really do believe (I really do believe) There's a Heaven up there." Each additional verse is the same as the first, the word "music" replaced with another word (such as "singing," "shouting," et cetera).
("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs, [1] or earlier. It has become a standard in many Protestant hymnals , though it says nothing about Jesus or the gospel, and covered by many artists.
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Alvin Ailey made "Rocka My Soul in the Bosom of Abraham" [4] the music for the triumphant finale of his internationally known choreography Revelations, which was born out of the choreographer's "blood memories" of his childhood in rural Texas and attending the Baptist Church with his mother. [5]