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Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
The first element in the scheme of painted architecture is a definition of the real architectural elements by accentuating the lines where spandrels and pendentives intersect with the curving vault. Michelangelo painted these as decorative courses that look like sculpted stone mouldings .
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.
The Prophet Joel is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1508–1512) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco imagines the person of Joel, a prophet from the Hebrew Bible, whose teachings appear in the ...
The contrapposto pose was also used by Michelangelo in his David (1501-1504). It is reported that Michelangelo painted this fresco in a single giornata, that is, a single working day of approximately eight hours. [2] During Michelangelo's lifetime, this fresco was considered evidence of the painter's technical prowess at its peak.
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry.
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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...