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Madonna and Child was painted by one of the most influential artists of the late 13th and early 14th century, Duccio di Buoninsegna.This iconic image of the Madonna and Child, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries.
The altarpiece is set in a large semi-circular niche, known as an apse, and depicts in a pyramidal (triangular) composition of the Virgin and Child enthroned, surrounded by four saints and an angel. [3] The dome with mosaics on the top of the altarpiece create a sense of depth in the room and an addition of space behind the throne and subjects ...
The Salus Populi Romani icon, overpainted in the 13th century, but going back to an underlying original dated to the 5th or 6th century Madonna and Child by Filippo Lippi (15th century) In Christian art, a Madonna (Italian:) is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus.
The painting shows an uncommon subject, with the Virgin holding the Child who writes on a book, an allusion to his intervention in the Holy Books. On the right is Saint Jerome , recognizable by his cardinal dress, leaving a book on the marble throne where the Madonna sits: in this case this is one of his traditional attributes of knowledge.
The centre of the composition is the face of the Madonna, who sits on a precious throne holding the Child. The attention to the volumes, inspired by Masaccio , is intermingled with the care for landscape and the light effects, which Lippi studied in the Flemish masters: the latter can be seen, for example, in details such as the pantoscopic ...
The Taddei Tondo or The Virgin and Child with the Infant St. John is an unfinished marble relief tondo (circular composition) of the Madonna and Child and the infant Saint John the Baptist, by the Italian Renaissance artist Michelangelo Buonarroti. It is in the permanent collection of the Royal Academy of Arts in London.
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent [1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri) [2] in the Basilica of Saint Peter [3] and taking its theme from Genesis 3:15.
Madonna and Child with Saint Jerome and Saint Dorothy is a 1516 oil on canvas painting, now in the Kelvingrove Art Gallery and Museum in Glasgow, which purchased it from the McLellan collection in 1856. [1] The Madonna's pose is based on that of Raphael's Esterhazy Madonna. Its attribution is debated.