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The film opens at an 18th-century ball, where Baron Hieronymus von Münchhausen is propositioned by a young woman who is engaged to another man. He graciously rejects her advance, and as she leaves, she asks him to turn on the light. The camera follows his hand to a modern light switch, and the young woman drives off in an automobile.
The Fighting 69th (1940) – action-adventure war film based upon the actual exploits of New York City's 69th Infantry Regiment during World War I [14] Forty Thousand Horsemen (1940) – Australian war film telling the story of the Australian Light Horse which operated in the desert at the Sinai and Palestine campaign during World War I [15]
The movie is noteworthy in that featured a fight scene between two of the actresses, Esther Ralston and Irene Hervey. Both women told director Arthur Lubin that they did not want to have stunt doubles perform the fight scene, described by press accounts as a "... whirlwind fistfight... said to overshadow the most hectic feminine movie battles ...
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At first, women's wrestling was seen as a side-show, and it was banned in several states. The film mostly focuses on these years—the 1940s—along with the 1950s and 1960s, better known as the "heyday of women's wrestling", when the sport became more accepted and popular. [1]
1940: 1988: Republic Pictures (Color Systems Technology) [3] [370] Knock on Any Door: 1949: 1991: Columbia Pictures (American Film Technologies) [371] Knute Rockne, All American: 1940: 1988: Turner Entertainment [372]
Concerns women's Coast guard auxiliary, SPARS: Fighting Americans: Max Dresner: Toddy Pictures Co. Race film made in co-operation with the US Govt. The Fighting Lady: Edward Steichen: USN Won an Academy Award for Documentary Feature: Freedom Comes High: Lewis Allen: USN Dramatic short Gracias Amigos: OIAA Latin American contributions to the war ...
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