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In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
Romeo ja Julia: Ants Oras: Tartu: 1935 503905700 E-kataloog ESTER: Haitian Creole Romeo ak Jilyèt: Nicole Titus Cambridge: 2019 9781936431335 1405851643 Tagalog Ang Sintang Dalisay ni Julieta at Romeo: G. D. Roke: Manila: 1901 (published) Gutenberg: Welsh Romeo a Juliet: J. T. Jones: Carmarthen (2005 reprint) Caernarfon (2007 reprint) 1983 ...
The Tragedy of Romeo and Juliet, often shortened to Romeo and Juliet, is a tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). [1] In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play.
Comparison of the 'To be, or not to be' soliloquy in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto (Q1), the Good Quarto (Q2) and the First Folio. The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall ...
Per Shaheen: “[T]here is nothing in any of Shakespeare's sources that is parallel to Henry's discussion on the responsibility for war and the fate of the soldiers who die therein (4.1.124-91), or to Henry's musings on kingship (4.1.230-84), which contain a large number of biblical and liturgical references.