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Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works.
Leochares: Apollo Belvedere.Roman copy of 130–140 AD after a Greek bronze original of 330–320 BC. Vatican Museums. Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD.
The statue of Laocoön and His Sons, also called the Laocoön Group (Italian: Gruppo del Laocoonte), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, [2] where it remains today.
The Gennadios medallion in the Metropolitan Museum of Art in New York, is a fine example of an Alexandrian portrait on blue glass, using a rather more complex technique and naturalistic style than most Late Roman examples, including painting onto the gold to create shading, and with the Greek inscription showing local dialect features.
Ancient Greek and Roman sculptures in the British Museum (2 C, 36 P) C. Collections of classical sculpture (8 C, 10 P) Ancient Greek and Roman colossal statues (2 C ...
Although the emperor is mounted, the sculpture otherwise exhibits many similarities to the standing statues of Augustus. The original is on display in the Capitoline Museums, while the sculpture now standing in the open air at the Piazza del Campidoglio is a replica made in 1981 when the original was taken down for restoration.
Version of the statue in 1870 with a staff in his left hand. Augustus is shown in his role of imperator, the commander of the army, as thoracatus —or commander-in-chief of the Roman army (literally, thorax-wearer)—meaning the statue should form part of a commemorative monument to his latest victories; he is in military clothing, carrying what may have been a spear [3] or a consular baton ...
The tetrarchy gave way to a united Roman Empire in the time of Constantine, as the emperor took control over the east and west halves in 324. [5] When Constantine refounded Byzantium as "New Rome" - Constantinople - in 328–330, he relocated numerous historically or artistically significant monuments and sculptures to the city.