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"Seasons of Love" is a song from the 1996 Broadway musical Rent, written and composed by Jonathan Larson. The song starts with an ostinato piano motif, which provides the harmonic framework for the cast to sing "Five hundred twenty-five thousand, six hundred minutes" (the number of minutes in a common year). The main instruments used throughout ...
give us (colloquial, meaning: give me) gonna (informal) going to gon’t (informal) go not (colloquial) gotta (informal) got to hadn’t: had not had’ve: had have hasn’t: has not haven’t: have not he’d: he had / he would he'd'nt've (informal) he did not have / he would not have he'll: he shall / he will helluva (informal) hell of a yesn ...
“We held it out, and we went down to the stadium at 4:30 p.m., and the contractions were still happening,” she recalled. “It happened all the way until about 10 p.m., which was at Taylor’s ...
In older women, decreased pelvic muscle tone may mean that it takes longer for arousal to lead to orgasm, may diminish the intensity of orgasms, and then cause more rapid resolution. The uterus typically contracts during orgasm and, with advancing age, those contractions may actually become painful.
The song's title is the time at which the song is set: 25 or 26 minutes before 4 a.m., phrased as, "twenty-five or [twenty-]six [minutes] to four [o’clock]," (i.e. 03:35 or 03:34). [ 3 ] [ 4 ] Because of the unique phrasing of the song's title, "25 or 6 to 4" has been interpreted to mean everything from a quantity of illicit drugs to the name ...
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"30 Minutes" is a song by Russian recording duo t.A.T.u., taken from their debut English language studio album 200 km/h in the Wrong Lane (2002). It was released in 2001 in Russian as 30 Minut ( Cyrillic : 30 минут, also known as "Полчаса" (Polchasa), meaning half-an-hour) from the album 200 Po Vstrechnoy .
"Now Is the Hour" (Māori: Pō Atarau) is a popular song from the early 20th century. Often erroneously described as a traditional Māori song, [ 1 ] its creation is usually credited to several people, including Clement Scott (music), and Maewa Kaihau and Dorothy Stewart (arrangement and lyrics).