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"Ode" is a poem written by the English poet Arthur O'Shaughnessy and first published in 1873. [1] It is the first poem in O'Shaughnessy's collection Music and Moonlight (1874). "Ode" has nine stanzas, although it is commonly believed to be only three stanzas long [ citation needed ] .
William Wordsworth's Ode on Intimations of Immortality from Recollections of Early Childhood (1807) and Thomas Gray's The Progress of Poesy: A Pindaric Ode (1757) are both written in the Pindaric style. Gray's The Bard: A Pindaric Ode (1757) is a Pindaric ode where the three-part structure is thrice repeated, yielding a longer poem of nine stanzas.
Basse was educated at Lord Williams's School. [citation needed]The long interval of fifty-one years between the production of the first and last poems bearing Basse's signature led John Payne Collier to conjecture that there were two poets of the same name, and he attributed to an elder William Basse the works published in 1602, and to a younger William Basse all those published later.
Hymn to St Cecilia, Op. 27 is a choral piece by Benjamin Britten (1913–1976), a setting of a poem by W. H. Auden written between 1940 and 1942. Auden's original title was "Three Songs for St. Cecilia's Day", and he later published the poem as "Anthem for St. Cecilia’s Day (for Benjamin Britten)".
The Desert Music and Other Poems was a 1954 Random House book collecting 1949-54 poems by the American modernist poet/writer William Carlos Williams.It is now collected, along with Pictures from Brueghel and Other Poems (1962) and Journey to Love (1955), in the New Directions paperback Pictures from Brueghel and other poems by William Carlos Williams: Collected Poems 1950-1962.
John Tenniel, St. Cecilia (1850) illustrating Dryden's ode, in the Parliament Poets' Hall "A Song for St. Cecilia's Day" (1687) is the first of two odes written by the English Poet Laureate John Dryden for the annual festival of Saint Cecilia's Day observed in London every 22 November from 1683 to 1703.
Ode for St. Cecilia's Day, HWV 76, is a cantata composed by George Frideric Handel in 1739. The title of the cantata refers to Saint Cecilia , the patron saint of musicians. The premiere was on 22 November 1739 at the Theatre in Lincoln's Inn Fields , London.
Lou Harrison's Threnody for Carlos Chavez Toshio Hosokawa 's Threnody: To the victims of the TÅhoku 3.11 Earthquake (2011) André Jolivet 's "Chant de Linos" for flute and piano or flute, string trio and harp; described by the composer as "a form of threnody: a funeral lamentation interrupted by cries and dances" (1944, premiered 1 June 1945 ...