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Both hands play chords. The section is quiet and slow (mäßig), and presents the musical theme of Death. The Maiden enters in the ninth bar on an anacrusis. This section is more agitated than the first; it is marked piano and "somewhat faster" (etwas geschwinder). The melody gradually increases in pitch, chromatically at points.
The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
The manualiter fughetta in E minor is both the shortest movement in Clavier-Übung III and the exact midpoint of the collection. The subject paraphrases the first line of the chorale; the two-bar passage later in the movement leading to two dramatic diminished seventh chords is constructed over the second chorale line.
Despite the fact that both hands have beautiful melodies indicated with tenutos in bars 1–3–9–11, and the alto voice in the 16, the one for the left hand seems to take the credit as the most beautiful between the two. [6] Tenths arpeggiated in bars 20–23 lead to the top note of the chord to fall on the beat. [6]
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
The court chapel at the Schloss in Weimar where Bach was court organist. The organ loft is visible at the top of the picture. The Orgelbüchlein (Little Organ Book) BWV 599−644 is a set of 46 chorale preludes for organ — one of them is given in two versions — by Johann Sebastian Bach.