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This page was last edited on 15 July 2011, at 17:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
The notions of World English and World Englishes are far from similar, although the terms are often mistakenly [citation needed] used interchangeably. World English refers to the English language as a lingua franca used in business, trade, diplomacy and other spheres of global activity, while World Englishes refers to the different varieties of English and English-based creoles developed in ...
American soldiers admired the architecture of rural France and who returned from the war they built homes in the style. In the United States the style remained popular though the 1920s. [1] By 1932 nearly one in three homes in America had French Provincial design elements.The style fell out of favor in the 1930s, [6] but had a resurgence in the ...
The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
In 1907 the building was updated with a new entrance at 15 rue du Quatre-Septembre, designed by Victor Laloux, who also designed the Gare d'Orsay, now the Musée d'Orsay The new entrance featured a striking rotunda with a glass dome over a floor of glass bricks, which allowed the daylight to illuminate the level below, and the three other ...
This unusual window design is especially noticeable on America's examples of French provincial architecture. Modeled after country manors in the French provinces, these brick or stucco homes are stately and formal. They have steep hipped roofs and a square, symmetrical shape with windows balanced on each side of the entrance.
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The new theaters in Paris and Bordeaux were prominent examples of the new style. The architect Victor Louis (1731–1811) completed the Grand Théâtre de Bordeaux (1780); its majestic stairway was a forerunner of the stairway of the Paris Opera Garnier. [9] In 1791, in the midst of the French Revolution, he completed the Salle Richelieu.