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Pages in category "Ethnic groups in Cameroon" The following 58 pages are in this category, out of 58 total. This list may not reflect recent changes. A. Akunakuna;
The Duala are related to several ethnic groups (or tribes) in the Cameroon Coastal areas, with whom they share a common traditional origin, and similar histories and cultures. These include the Ewodi, the Bodiman, the Pongo, the Bakole , the Bakweri (or Kwe), the Bamboko , the Isubu (Isuwu or Bimbians), the Limba (or Malimba), the Mungo , the ...
The Cameroon government held two national censuses during the country's first 44 years as an independent country, in 1976 and again in 1987. Results from the second head count were never published. A third census, expected to take years to produce results, began on November 11, 2005, with a three-week interviewing phase.
The rulers of the Duala are the headmen, chiefs, paramount chiefs, and kings of the Duala people of Cameroon. The earliest Duala rulers known, according to Duala's oral history, were Mbongo and his son Mbedi. From Mbedi's home at Pīti, northeast of the modern city of Douala, his sons migrated southward.
After parting company with her brothers, Ngonnso’ and her followers first settled in Mbo’nso’, then later to Ndzennso’, Kovifem, Taavisa (for security), back to Koovifem, then to Kimbo (Kumbo). The tribe got its name from Ngonnso’, and is one of the largest tribes of Cameroon. [1]
Phylum Region Major groups Pop. (millions) (2016) [citation needed] Number of groups Afro-Asiatic: North Africa, Horn of Africa, Sahel: Amhara, Hausa, Oromo, Somali, Tigrayan: 200
While most of the organization's members are native Cameroonians, the club has also tried to assist African Americans who trace some of their origins to Cameroon. [13] Cameroon Group USA (CAMGUSA) is an organization form by members of the various cultural groups in Los Angeles. The association tries, among other things, relate and encourage ...
The Cameroon Government was aware of the Afo-A-Kom's location in 1973 and immediately demanded that the possessor, the Furman Gallery, return it. This brought about discourse regarding repatriation and started conversations about returning art that was stolen from Africans because of colonialism, and a New York Times article was written.