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Nuper rosarum flores ("Recently Flowers of Roses/The Rose Blossoms Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436 consecration of the Florence Cathedral, on the occasion of the completion of the dome built under the instructions of Filippo Brunelleschi.
The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim and that the Pazzi Chapel would represent a retrograde step. [4] The first written mention of Brunelleschi as the architect was written by an anonymous author in the 1490s ...
The origin of Renaissance architecture is generally accredited to Filippo Brunelleschi (1377–1446). [2]: 243 Brunelleschi and his contemporaries wished to bring greater "order" to architecture, resulting in strong symmetry and careful proportion. The movement grew from scientific observations of nature, in particular, human anatomy.
After years of considering options, Filippo Brunelleschi and Lorenzo Ghiberti were made joint leaders of the project to build the dome for Florence Cathedral in 1420. Brunelleschi's plan to use suspended scaffolding for the workers won out over alternatives such as building a provisional stone support column in the center of the crossing or ...
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Filippo Brunelleschi (who had designed and executed the dome of the Duomo) was involved in its design which has remained rigorously simple and unadorned. In 1560, the choir screen was removed as part of changes arising from the Counter-Reformation and the interior of this area was rebuilt by Giorgio Vasari. As a result, there was damage to the ...
Filippo Brunelleschi began designs for the new building as early as 1428. The first pillars to the building were delivered in 1446, ten days before his death. [11] After his death, the works were carried on by his followers Antonio Manetti, Giovanni da Gaiole, and Salvi d'Andrea; the latter was also responsible for the construction of the cupola.