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The gathering at the Orchid Pavilion is also famous for the artistry of the calligraphy of Wang Xizhi, [2] who was both one of the participants as well as the author and calligrapher of the Lantingji Xu (Preface to the Poems Composed at the Orchid Pavilion). Sun Chuo also wrote a preface, which is somewhat less famous. [3]
The two men had personally feuded for many years. Wang Shu subsequently opened an investigation into Kuaiji's finances, alleging that Wang Xizhi had mishandled the collection of taxes in the region. [43] Resolving to leave his position rather than continue working under his new superior, Wang Xizhi retired, citing ill health. [44]
Part of a Song Dynasty stone rubbing of Wang Xizhi's manuscript of the Yellow Court Classic. The Yellow Court Classic (simplified Chinese: 黄庭经; pinyin: Huángtíng-jīng), a Chinese Daoist meditation text, [1] was received from an unknown source by Wei Huacun, one of the founders of the Shangqing School (Chinese: 上清), in 288 CE.
The Lantingji Xu (traditional Chinese: 蘭亭集序; simplified Chinese: 兰亭集序; pinyin: Lántíngjí Xù; lit. 'Preface to the Poems Collected from the Orchid Pavilion'), or Lanting Xu ("Orchid Pavilion Preface"), is a piece of Chinese calligraphy work generally considered to be written by the well-known calligrapher Wang Xizhi (303–361) from the Eastern Jin dynasty (317–420).
The Yongle Emperor (reigned 1402–1424) was particularly fond of it and even designated the style of the two Wangs (Wang Xizhi and his son Wang Xianzhi from the 4th century) as the official script. His successor, the Hongxi Emperor , was renowned for his calligraphy skills and was often compared to the Tang Emperor Taizong (reigned 626–649).
To commemorate this day, the calligrapher Wang Xizhi wrote an introduction to the poems collected on the Jade Mountain carving. [1] Wang was particularly renowned for his cursive script and was also a highly esteemed scholar of the time. According to the Minneapolis catalog, 41 scholars along with Wang went to this festival.
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
Another says that the emperor commanded Wang Xizhi, a noted calligrapher, to write out one thousand characters and give them to Zhou as a challenge to make into an ode. Another story is that the emperor commanded his princes and court officers to compose essays and ordered another minister to copy them on a thousand slips of paper, which became ...